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REVIEWS‘Folkwords’ Review. www.folkwords.com The new album from Kevin Barber and Mark Taylor delivers more of their distinct music but this time there’s a difference. The discerning lyrics and faultless harmonies remain, served through keen arrangements. Only now there’s a new edge- it’s the fiddle and voice of Amy Reed- and it’s an inspired addition. So on ‘Pilgrim’s Postcard’ they are now Barber, Taylor and Reed, and this album deserves serious recognition. So is this English folk, acoustic blues, Americana, country, bluegrass or just damn fine music? Yes, it’s all that and more besides. On this album Barber and Taylor and Reed deal an eclectic fusion that effectively blends disparate styles with musical excellence to create a powerful mix. And if that sounds a wide-ranging remit then that’s a fair description. As the opening notes of John Bunyan’s hymn slide into the title track ‘Pilgrim’s Postcard’ you’re treated to silky harmonies and mournful fiddle. The mood changes in an instant as they drive into ‘Made By Hand’ – a song dedicated to artisan craftspeople. This could well become an anthem to their efforts – and it should. I can already hear audiences singing along. Their storytelling expertise pours out of ‘The Mojo Man and Josephine’ to fashion a song of lost love, lost youth and reunited hope. ‘Birdsong’ is their tribute to the mystery and essence of St Kilda and it’s a flawless fit between perfectly observed lyric and insistent melody. Now they have a fiddle on board why not jump into some traditional Irish Music? In their live sets I’m certain this rendition of Drowsy Maggy/Toss the Feathers does exactly as intended – gets the joint rocking and it fits in fine here too. For those of us old enough to remember afternoon wrestling on British television ‘The Wrestling’ is a precisely crafted snapshot into that slightly seedy yet enticing world. Alternatively, if your desire is yet another superb mix of vocals, harmonies and spot-on mandolin duelling with the fiddle ‘Lay Your Pistol Down’ offers everything you’ll need. On this album the musical responsibilities are: Kevin Barber (vocals, guitar, mandolin) Mark Taylor (vocals , guitar, mandolin, dobro, harmonica, ukulele, keyboards) and Amy Brightling-Reed (vocals, violin). Pilgrim’s Postcard is a combination to savour with critically observant lyrics, harmonies so close that not a gap shows, intricate arrangements and accomplished musicianship – buy it you’ll love it. Tim Carroll (Folkwords) FATEA REVIEW www.fatea-magazine.co.uk One of Fatea's favourite duos has just become a trio and brought out a new album to boot. Barber & Taylor have added fiddle-singer Amy Brightling-Reed to the line up and released a new album "Pilgrim's Postcard" on their own label. Reed's addition is a revelation, hearing the duo was always enjoyable, Amy gives the band something you hadn't even realised was missing until you hear the new album. The songs, mainly observational short stories, have a more spiritual edge than previous cuts, it also draws more on instrumental duels, it's a real treat for body and soul.
LYRICSPilgrim’s Postcard I am a pilgrim; I am a traveller upon these roads, Looking for the connections, I am a reader of the hidden codes, I feel the wind at my back now; the sky’s an awesome blue, I wish you good luck and sweet dreams, and may the road rise up to you.
North and South and East and West, Punch-drunk wild and free, Whichever byway suits the best, That’s where I’m going to be.
You’re Jimmy Dean for a heartbeat, you’re the dude one day the next you’re dust, Sometimes you wind up in places, make you sorry for your wanderlust, The road stretches onwards, far away from fear and frowns, There’s magic happening somewhere, c’mon baby let’s get out of town.
North and South and East and West, Punch-drunk wild and free, Whichever byway suits the best, That’s where I’m going to be.
Someday I’m going to settle down, with somebody who I don’t yet know, Until then I’m heading, any way that the wind might blow, Thank you for your kindness, but I don’t know where this road will lead, I’ll try to send you a postcard, the message on the back will read...
North and South and East and West, Punch-drunk wild and free Whichever byway suits the best That’s where I’m going to be
Made By Hand There's nothing worth having that's easily made Testing the grain, it runs in my blood And yes I still dream that I might sell the van, Measuring twice is the mark of the man, Testing the grain, it runs in my blood
The Mojo Man and Josephine He met her on a demo march, Cat’s in the birdcage looking at me Big old crow sitting in my tree Everybody’s sitting in the place they wanna be
Pigs in clover playing it cool Making me look like a busy fool Everybody laughing how life just treats me cruel
I was hoping things were getting better I was hoping things were on the up But every time that I take two steps forward Something comes to knock me on my butt
Fox in the henhouse licking his lips All those chickens gonna have their chips He’s got an old lady and you know for chicken she flips
Jack’s on the beanstalk keeping it real That golden egg is looking like a steal I gotta tell you I know how that giant feels
I was hoping things were getting better I was hoping things were on the up But every time that I take two steps forward Something comes to knock me on my butt
Wish I was sitting in the catbird seat The whole wide world there at my feet I gotta tell you I think it’s got me beat YODEL
Birdsong (Letters to Scandinavia) Taste the salt air, fulmars set dancing In wild array, the mail boat arrives For the taking of rent, and to bring Jesus’ blessing To strangers as yet to His love.
Merely a man, the minister falters His good clothes get soaked, as he wades in the water Three strong Christian men, resolve to his rescue His body as frail as a bird’s.
Our throats are electric with Birdsong We bend the air with beating wings White feathers are carried By air and tide water Like letters to Scandinavia
Hardy as fools, the St Kilda birdmen One slip and you’re gone, the spiralling silence They plunder the crags, with rags in their hands To gather their harvest of birds.
Is that why my heart, beats with such fury For kindred and kin, unhappy migration To table or twine, the minister’s duty To marry each lad to his lass Knows well that all things must pass
Our throats are electric with Birdsong We bend the air with beating wings White feathers are carried By air and tide water Like letters to Scandinavia
Instrumental
See the wee boat, a sheep’s bladder casket With letters for help, set on winds prevailing To mainland or north, to some Viking shore Where arctic terns laugh without mirth Knowing we shall inherit this earth
Our bodies electric with Birdsong In places where only birds sing In strange tongues that carry On air time and tide like letters to Scandinavia
Freedom Train I’m waiting for that freedom train It’s heading for the station, I’m standing in the rain I’m waiting for that freedom train Everybody gonna get on board
Freedom train gonna get here soon All the coaches they got plenty of room The conductor treat everyone the same Gonna ride that freedom train
And when that freedom train it comes Be enough room for everyone Doesn’t matter who you are Everybody gonna get on board
Freedom train always gets here Freedom train, right on time
INSTRUMENTAL
And when that freedom train it comes Be enough room for everyone Doesn’t matter who you are Everybody gonna get on board
Freedom train always gets here Freedom train, right on time
I been waiting for that freedom train All my brothers and sisters they’re the same We’re all waiting for that freedom train It’s been a long, long time
And when that freedom train it comes Be enough room for everyone Doesn’t matter who you are Everybody gonna get on board Everybody gonna get on board Gonna ride that freedom train
You Don’t Know Love So we’re sat in the bar of an old hotel You’re telling me about the way things fell We’ve been here before and I’m sorry to tell I think you don’t know love at all
Well it’s been a gas, but it’s come to an end, And I’m always the one with a shoulder to lend, To tell you the truth it’s wasted time, girlfriend, I think you don’t know love at all.
Sometimes the white knight shows Sometimes you ask him to stay, Sometimes a cold wind blows, And scatters us adieux and away
I’m sitting here listening to this junk, Keeping my counsel like a plainclothes monk Regret is your poison and you’re here to get drunk I think you don’t know love at all. Instrumental
You’re telling me that you’ve seen everything You’ve danced with devils, supped with Seraphim, If you’re asking me, you don’t know the first thing, I think you don’t know love at all.
See it breaks my heart to see you this way So little you earn, and how much you pay And the one that you need is just a thought away I think you don’t know love at all
Sometimes you ask me to show Sometimes you ask me to stay, Sometimes a cold wind blows, And scatters us adieux and away
Because I’d do anything in the world for you I’d live for your love and I’d die for it too But being this close will just have to do I think you don’t know love at all I’ll play this role and ‘till you can see through I think you won’t know love at all
The Wrestling You can keep your football, kick it into touch Speedway and Snooker never bothered me much I’m making time for the grand pantomime Oh-ho watching the wrestling
Who’s that grappling on my TV screen? The fattest man that I think I’ve ever seen With his tight red trunks and a slick of ‘brylcreem’ Oh-ho I’ve seen it on the wrestling
The Boston Crab, the fore-arm smash The stooge and the set-up and the easy go cash Turn on your telly, un-plug the phone The wrestling’s on you grunt and I’ll groan
There’s a man with a Japanese name and a mask To get him in a headlock an Olympian task Is it all a fix? Do you even have to ask? Oh-ho watching the wrestling
Little old ladies watch him fall to the floor They beat him with their brollies ‘til he’s sorry and sore They say he’s going to pay for what they did in the war Oh-ho i’ve seen it on the wrestling
The Boston Crab, the fore-arm smash The stooge and the set-up and the easy go cash Turn on your telly, un-plug the phone The wrestling’s on you grunt and I’ll groan When I was young all the world made sense Narrated by a pundit in the present tense But now it seems that the fight’s not clean I thought i was the straight man in this tag team
Heroes and villains and clowns and kings Never seem to get quite enough of those things There’s always someone shady waiting in the wings Oh-ho watching the wrestling I search for the truth but i never get the knack Like looking for a needle in a giant haystack When the innocence is gone can you ever get it back? Oh-ho i’ve always been a-wrestling
The Boston Crab, the fore-arm smash The stooge and the set-up and the easy go cash Turn on your telly, un-plug the phone The wrestling’s on you grunt and I’ll groan
Lay Your Pistol Down
Tony lay that pistol on the ground We all know you shot your Lucy down She was always fooling, with some guy in town Tony won’t you lay that pistol down
Tony put your pistol on the ground I can hear the police coming round If they see that pistol, they gonna shoot you down Tony won’t you lay that pistol down
Preacher laying Tony in the ground The police came and shot poor Tony down Tony held his pistol, he never put it down Tony and his Lucy in the ground
The Queen of Kings Heath
Take your great paws off me, Lay off the ‘fiddle-de-dee’, All your attention I’ll spurn, I’m a stranger here in your land, And you think the sport’s grand, Trying to see if I’ll turn,
So you ask who it is that I serve, One so fair, that I scarcely deserve,
Oh, Her Majesty of Moseley is a dark roving eye, But it’s not for her honour that I’d lay down and die, The Sultana of Solihull says she’ll give me no grief, But there’s none that compare with the Queen of Kings Heath, No there’s none that compare with the Queen of Kings Heath,
So that’s the tall and the short, I’m a ward of her court, And used to more hallowed ground, And here’s where our ways they must part, Mine’s the heavier heart, ‘Till I’m Birmingham bound, In my Hootenanny suit and cloth cap, I know the road, but I still need a map, Oh, Her Majesty of Moseley is a dark roving eye, But it’s not for her honour that I’d lay down and die, The Sultana of Solihull says she’ll give me no grief, But there’s none that compare with the Queen of Kings Heath, No there’s none that compare with the Queen of Kings Heath,
Oh, the Baroness of Bourneville says that she’s honey sweet, And the Countess of Cannon hill hates to sound the retreat, But to carry your coronet, they’d give their high teeth, No there’s none that compare with the Queen of Kings Heath, No there’s none that compare with the Queen of Kings Heath,
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