Kevin Barber & Mark Taylor

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Kevin and Mark perform an eclectic range of roots music, energised by driving bluegrass rhythms and tinged with melancholy Americana. Using a range of instruments; slide guitar, mandolin, banjo and lap resonator guitar, the duo have established a reputation for dynamic live performance.

 


Why not click on the links below for a short musical taster...
Anabelle
Deep River Blue
Blue
Let The Mystery Be
My Old Friend The Moon
Two Seconds
Sweet Marie
The Price Of Freedom (Complete track)

"Excellence is a trademark for this Brighton-based duo, an act who always leave audiences wanting more! Kevin & Mark are a perfect musical match, with flawless vocal harmonies underpinned by spellbinding interweaving guitar parts, superb skills as audience communicators, and a repertoire spanning contemporary folk and acoustic blues. After their last gig at the club, many people commented that Kevin & Mark are the musical equals of many of the big names that we've had - you'll get no argument from me on that score!"

Chris Davies, organiser of the Famous Willows Folk Club in Arundel.

 

DISCOGRAPHY:

'Live at the Open House' Hat records

'Let The Mystery Be' KBMT records

'Lately' KBMT records

RECENT REVIEWS for

'LATELY':

Songbook magazine:

Lately (KBMT Music) is the third CD from country-pop/roots duo Barber & Taylor and most enjoyable it is, too. Somewhat reminiscent of Plainsong’s British version of the West Coast sound (including a version of ‘I’ll Fly Away’ which appeared on that outfit’s 1970s debut In Search Of Amelia Earhart), with Kevin Barber doing a sterling job in the Iain Matthews role, it’s a strong mix of mostly original material alongside Woody Guthrie’s ‘Vigilante Man’, Robert McCreedy’s ‘Two Seconds’ and, more of a surprise this, Paul Simon’s ‘The Boxer’. The self-penned numbers work well, Taylor takes lead vocals on his own songs, with he and Barber alternating as backing singer on the other’s material. It’s a rewarding contrast reinforced by excellent musicianship from the pair, good arrangements and a satisfying production. Most impressive.
 

ROOTS HIGHWAY:(Excellent Italian americana site with own radio station)

Never judge by appearances. This CD with simple graphics, almost humble, completely self-produced, introduces us to an english duo who demonstrate great expertise in the field of independent songwriting. Kevin Barber and Mark Taylor, both composers and excellent instrumentalists, have played together for some years and have their roots firmly in traditional american music, in country, in bluegrass, but are also singer/songwriters who produce a sound reminiscent of virtuosi like Bill Frisell and Ry Cooder. These inspirations are found in ‘Lately’ where the two alternate vocals and move between a remarkable number of instruments giving life to a delicious mix of roots music, travelling in a few moments from gentle electric openings, to sad autumnal shades typical of singer/songwriter material and stirred by bluegrass rhythms. Their songs would not disgrace the songbooks of better known artists particularly ‘The Price of Freedom’, a sparse and desolate ballad, ‘Lighthouse’, gentle and relaxed weaving between dobro and guitar, ‘Lately’ introspective and melancholy, ‘My Old Friend The Moon’ with its pleasing vocal harmonies woven into the embroidery of the acoustics. Even the various covers are treated with taste and respect and result in pleasing versions: ‘The Boxer’ (Paul Simon) with a mandolin giving a distinct bluegrass feel, ‘Vigilante Man (Woody Guthrie) the sound of the banjo lifting the rhythm and raising the emotional level, ‘Two Seconds’ (Robert McCreedy) two guitars and two voices only but no less enchanting for this. A CD that despite it’s simplicity and modesty is more enjoyable than many other better known and highly praised offerings but which, alas, lack the substance found here. Recommended.

(Gabriele Buvoli, Roots Highway)

www.rootshighway.it

 

 

Sussex Folk Diary:

Anyone who’s had the pleasure of seeing Kevin Barber and Mark Taylor in local clubs, or heard their previous CD, will know that, in addition to being great musicians, they also have a happy knack of selecting quality material from the likes of Gillian Welch, Iris Dement and others of that ilk, so it comes as something of a surprise to discover that ten of the 14 tracks on this new release are self-penned. A brave step, you might think, but it all works exceptionally well. In fact, dare I say it, the non-original titles like 'I’ll Fly Away’, ‘Vigilante Man’ and ‘The Boxer’, although brilliantly performed, seem ever-so-slightly out-of-place.Kevin’s ‘Lighthouse’ and ‘My Old Friend The Moon’ are particularly strong and you can quite see them being adopted by other singers, whilst Mark’s more American-influenced compositions, coupled with his brilliant multi-instumental talent, help to provide just the right amount of contrast.

The recording quality is top-notch in all areas and this is certainly a CD which deserves to be heard nationally. I loved it!

Jim Marshall, Sussex Folk Diary

Net Rhythms:

Brighton-based duo Kevin Barber and Mark Taylor are one of those totally-together acts that sound for all the world like they've been playing and singing together almost from birth. Typically they play an attractively melancholy brand of acoustic-based, guitarsome bluegrassy Americana, with around two-thirds of their material self-penned and the remainder made up of respectable (if not consistently outstanding) covers of (on this, their third CD) songs by Albert E. Brumley, Woody Guthrie and Paul Simon (gripe: it's a shame they didn't choose some more appropriate covers like the Gillian Welch and Iris Dement stuff they perform live), and Robert McCreedy (his Two Seconds, the best by far of the covers here). But I liked this record a lot, and even though it's primarily the vocal harmonies and tight arrangements that make the impact on first hearing the songs stand up to scrutiny and grow on repeated listening. Standouts for me included the opener My Old Friend The Moon, the somewhat Kieran Halpin-like The Price Of Freedom, and Lighthouse (coincidentally, these are all Kevin's compositions). Generally there's a very satisfying ambience about the duo's music, and it's couched in an accomplishment that's easy-going yet not without a quality of thoughtful depth and immediacy of inspiration. With top-flight recording quality reflecting the duo's close, intimate yet dynamic live presence, this is a treasurable release that deserves wider recognition.

David Kidman   www.netrhythms.co.uk

 

ROOTSTIME: (This is a Belgian roots music site although the review is written in Dutch. If you want a laugh, put it through an online translator like BABELFISH and see if you can work out what it says!!!)

"............ a beautiful roots CD. A CD which from the first note to the last deserves to be heard."

Freddy Celis  www.rootstime.be/

 

 

REVIEWS for

‘LET THE MYSTERY BE’

AMERICANA UK:

Kevin Barber & Mark Taylor "Let the Mystery Be" (Independent 2004) Available: Now. "Simple in concept and delivery, 2 men, 2 guitars, 2 microphones, set up and play acoustic Americana........................ If there were more originals there’d be a more compelling reason to give a higher mark - you’d never guess it was made in Brighton." www.barber-taylor.co.uk DC

5 out of 10

Extract from

`MAVERICK MAGAZINE, January 2005 edition:

"This is the kind of at-one-with-each-other pairing that can win converts............

When these two Brighton-based musicians who have absorbed everything from Robert Johnson and Woody Guthrie to Slaid Cleaves, Iris Dement, Lucinda Williams and Gillian Welch, and who are no mean pickers themselves decide to put their own spin on things, it can be entertaining. When their vocals intertwine what comes out is sweet and satisfying." LT

3 STARS